Can we rely on what objects have to tell us? Which (hi)stories are objects telling us? Which is the potency and the agency of objects?
This photographic series ponders upon the idea of material history. It is a collection of objects found at the street known as “couloir de la mort” (death row) located in the campus of the Cheikh Anta Diop University in Dakar, Senegal.
Numerous students living at the student houses from the Cheikh Anta Diop university in Dakar, Senegal; go out every night to study under the street lights of the campus boulevard. Every night they go to memorize and rehearse words; words meaningful to their future practices. Jacques Derrida understands the university profession – professors – to be intrinsically related to the religious act of professing. To profess is an act of faith. Studying is, as well, an act of faith. The murmurs and the slow movements of these students resemble praying acts. Movements allow for knowledge to be embodied. The public space becomes their private-communal space. Lux mea lex (“Light is my law”) is Cheikh Anta Diop’s motto; strangely enough most of these young people are law students profiting from public lighting. There is a hope for future, a hope projected towards knowledge as a means to materialize dreams. Most acts of faith are acts of courage; these students are definitely courageous.
A dance intervention in situ (Cheikh Anta Diop University) with the participation of Pi Krump, Inas Dasylva, Bienvenu Gomis, Khadim Ndiayea and Clarisse Sagna took place in the main boulevard of this university.